non-compliant space

Niralanes 101: Welcome to the Language I Built a Novel Series Around

J.R.R. Tolkien’s Lord of the Rings series is a fantasy world built around Tolkien’s actual obsession: constructed languages. Tolkien wrote an entire series to explain the world behind languages he’d already invented.

He was that big of a nerd. And, it turns out, so am I.

The Non-Compliant Space series is, among other things, a setting for my own conlang obsessions. There are currently about four languages in the series in various states of construction, but by far the most well-developed (and most commonly used in the books) is Niralanes.

Book two in the series, Nahara, comes out soon from Autonomous Press. It contains entire scenes in which one or more characters speak Niralanes. Since all translations are approximate, here’s a primer on deciphering those sentences, if that’s your gig.

Image: A snowy night background with the title of this post and URL.

Basic Grammar

The basic unit of meaning in Niralanes is the verb. Nearly all words in Niralanes derive from a “root” verb form or can be traced back to a (now archaic) verb form. Verbs are identifiable primarily by their lack of any grammatical ending, or by the –ya (imperative) ending. They may also operate as proper names.

Other parts of speech may be identified with the following endings:

-ne adjective 

-es adverb or adjective; “in the manner of”

ie proper noun (titles)  

ya  proper noun (names)

-pa  noun (things, ideas) 

-ron noun (places, events) 

Sentences in Niralanes typically appear in subject-object-verb (SOV) order, although in some cases the object precedes the subject for emphasis (similar to the “passive voice” in Earth Standard). Endings that serve grammatical functions include:

-da possessive  

-eya  indirect object/object of the preposition

-ve plural (mass) 

-vo plural (discrete; things that can be owned)

-ai subject. When no verb follows, -ai functions as a copula.

No contractions are made when adding endings to a word. For instance, if a word ends in a, -ai is added directly, without omitting either a.

Ina  doripa an.

She (the) book writes.

Inaai anie.

She (is) (a)  writer.

Ina doripavo an.

She (the) book writes.

Emphasis on indirect objects is indicated by their placement in the sentence; the closer they appear to the subject, the greater the emphasis.

Ina doripa iaeya mai.

She (the) book to you-all gave. (She gave the book to you all.)

Ina iaeya doripa mai. 

She  to you-all (the) book gave. (To you all, she gave the book.)

Pronouns in Niralanes differ somewhat from those in Alash Kan or Earth Standard. Many speakers of these languages, feeling themselves unable to communicate without certain pronouns, have been known to insert Alash Kan pronouns. This is not recommended unless you know where Aristotle may stuff his triangle. Proper Niralanes pronouns include:

Inae 3d person plural 

Ina  3d person singular polite  

Ilik 3d person inferior 

Ia 2d person plural 

Issh 1st person plural mass 

Ila 1st person plural discrete 

Ihi 1st and 2nd person singular (used only when referring to kiiste)

Between Niralan speakers, pronouns are often omitted altogether. Speakers from the same kiiste will rarely use either the first or second person at all. Speakers/listeners from differing kiistes will often use ila for both speaker and listener to indicate agreement with one another and ia to indicate disagreement. Three or more kiiste in conversation will use issh to indicate agreement and ila to indicate disagreement. Offworld Niralan colonists nearly always use ila when speaking to, of or about Niralans born on Nirala.

Niralanes has no first person singular comparable to the Earth Standard I or second person singular comparable to the Earth Standard you. Many Niralans who have learned Earth Standard have learned to deploy these pronouns in contexts that sound native to an Earth Standard speaker. It should not, however, be assumed that because a Niralan uses I, she has the same internal experience of singularity as a human. The speaker has merely adopted a convention to make the Earth Standard listener more comfortable.

A non-Niralan speaker should never use issh or ihi.

Ina has a subtle sense of politeness when used to refer to a Niralan elder and a not-so-subtle sense of denigration when used to refer to any non-Niralan. In the latter context, ina serves as both 2nd and 3rd person singular. It is still not as degrading as ilik, which is a generalized 3rd person inferior when describing Niralans and 3d person plural when used to describe non-Niralans. Ilik functions similarly to the Earth Standard pronoun it.

Several nouns in Niralanes are irregular. Handle these with care. They invariably indicate a person, place, object, or idea of significant cultural importance.

Basic Pronunciation

Niralanes (lit. “in a Niralan manner”) is one of only two Niralan languages physically pronounceable by humans. It’s also the most commonly-spoken language on Nirala. 

Niralanes is transliterated into English at a ratio of one sound per letter. Stress is placed on the penultimate syllable of the word. 

Earth Standard speakers in particular are reminded that each syllable is pronounced separately. Repeating vowels are each pronounced individually and should be counted as separate syllables or parts of syllables.

kiiste name; person; front 

 ki-i-ste (3 syllables)

kiisteie “proper name”

ki-i-ste-i-e (5 syllables)

Many humans control the elision of repeating vowels by inserting a slight stop or pause between them. This stop or pause is transliterated with an apostrophe: . Certain words in Niralanes also incorporate the stop as a feature of pronunciation, usually to indicate negation. Since the human vocal apparatus cannot articulate the difference in sound between these two types of stops in practice, it’s best not to worry too much about which is which.

Pronunciation of each transliterated sound is as follows:

a as in father or optics

i as in pita or messy

o as in rotate or bowl

e as in mess or negative 

E is the most difficult vowel for most Earth Standard speakers. Take care not to slide into the diphthong ay or the schwa in unstressed syllables. When in doubt, simply push air through the open teeth without vocalizing, similar to a cat who is protesting a late dinner. Similarly, take care not to let a slide into the diphthong ay or to shorten the o (it should never sound like a).

Consonants in Niralanes are as follows:

m as in moon or many  n as in never or no

v as in velvet or voiceless s as in slither or soundless (not as in prise)

j as in jewel or jocular y as in yet or yellow

d as in dog or daring t as in distend or pretend

p as in nip or spin k as in kick or flak

t, k and p are never aspirated, resulting in some confusion between d and t, k and t, and p and b (which does not appear in Niralanes) in early transliterations.

f as in fade, soft (not to be confused with v)

r as in rain or brave, but with the teeth bared slightly over the lips (rather than pursed) and the tongue somewhat flatter behind the front teeth.

l as in last or laminate, but with the tongue somewhat further back than in Earth Standard.

h either as in hot or as in French helás. The latter is transliterated (h) in some texts and in others. Do your best. 

Niralan children learn Niralanes, along with several other languages, from birth. Niralanes therefore functions as a planetary lingua franca, similar to the adoption of Alash Kan or Earth Standard among their respective speakers. Consequently, it is reasonable to assume that every Niralan you meet will speak it fluently. 

It is not, however, reasonable to assume that every Niralan you meet will speak. 

Wh- Questions, Numbers, and So On

Wh- questions, in Niralanes, are perhaps better thought of as Old- questions, “old-” being the prefix used to form them. Old- words can be placed anywhere in the sentence.

They include:

Oldie: whom, what

Oldron: when/whenever, where/wherever

Oldne: which/whichever, who/whose

Oldes: why/whyever

Niralans count in base-6, which can make discussions involving Nirala-related numbers confusing for listeners accustomed to a base-10 system. The numbers themselves are not difficult to learn, however; they consist of a “d” sound before the four vowels, the imperative -ya, and the negative stop, respectively:

0 da

1 di

2 de

3 do

4 dya

5 d’t

Numbers can be further adapted with the standard grammatical suffixes (see above). For instance, “second” can be constructed with “de” or 2, plus “-ne,” adjective.

Some Vocabulary

ama: to “get your feet under you,” to anticipate, to be a person, to be old enough, to be ready, to chatter, to have energy but no clear purpose

anev: to discover, to err but it works out, to make a serendipitous mistake, to have the odds fall in your favor a statistically suspicious number of times for no reason

anha: to blame, to diminish, to cause pain, to injure, to punish, to sacrifice (someone else), to set back, to shame

dar: to argue, to clarify, to discern, to experiment, to explain, to know because you reasoned it out and can “show your work,” to prove, to be blunt, to test, to understand, to agree to something because you already figured out that was the solution

hodevri: to ache, to act against one’s will and at great personal cost, to be insignificant in the face of a greater end, to oppose, to sacrifice oneself, to suffer, to do what is necessary

ise: to act with purpose, to avenge, to confront, to do what is possible, to fight, to forge ahead

ji: to catch up, to detail, to fall behind, to follow, to know because you studied every aspect, to organize, to procrastinate, to systematize, to teach, to be unable to see the forest for the trees

koa: to attend upon, to care for, to heal, to hold space for (someone present), to invest in a person or cause, to listen mindfully, to shelter

ola: to elide, to elude with an intent to deceive, to erase, to forget, to know something no one else knows, to lie by omission, to have the memory of a past feeling but not the feeling itself

pi: to confuse, to deceive others, to efface, to elude because unknowable, to know by supernatural means, to lie intentionally or overtly, to question by asking the unanswerable, to trick, to wonder

rion: to conserve, to discipline, to do one’s duty, to obey, to reserve for future protection or use, to train

tae: to blaze a trail, to disobey, to inspire, to know because f*ck you that’s how, to lead, to progress, to run

vioka: to circle the wagons, to civilize, to congregate, to hunker down, to settle

Meaning and Content

Niralanes is the lingua franca of Nirala, a planet with a population of only a few thousand people – all of whom communicate emotional content via touch, rather than via behavior, as humans do. (“That’s an interesting hat,” said with a smile, means something different than when it’s said with a grimace. The facial expression is behavior.)

Words for emotional states are thus utterly absent from the language; the closest way to communicate emotions in Niralanes is by describing the physical sensations they produce. Even then, it’s dodgy. Are you “nervous,” or do you have a stomach ailment?

Because humans are used to word-based communication conveying emotional content, reading Niralanes can be difficult. Connotation doesn’t exist in this language. Instead, every word covers myriad related concepts. A speaker or writer might mean to evoke all those concepts at once, or only certain aspects.

Niralans know which is which through touch. Humans have to muddle along by holding all possible meanings of each word in their minds simultaneously.

My goal, in constructing Niralanes this way, was to create a language that forced neurotypical humans to experience language the way I experience language: as an interconnected web of meaning-making possibilities, affected not only by behavior but also by wholly interior mental states. For me, some of those are emotional, some are associative memory, and some are synesthesia, and there are no clear boundaries between those three categories.

Some people just want to read space adventures, which is why Nantais and Nahara offer translations where what has been said is relevant to the plot. But the translations are themselves artistic choices made by the author with the specific intent to drive English-only readers to one particular interpretation of the series’ events and meaning. The translations are not what the Niralanes content “means.” Nor are they always accurate depictions of the events of the story. To understand that, the reader has no choice but to experience language my way.


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